Cartography as a strategy for linking space and perception.
...as Barthes says, it should be defined as a ‘camera lucida or camera chiara’: a space in which the essence is already present, albeit still in shadow; everything is already evident, yet waiting to be discovered.
Camera Chiara is the result and culmination of various stages of work, a superimposition of images in semi-transparent layers that reveal the different layers and stages of the printing process. The process itself becomes the medium through which the image is reflected.
Metropolitan and underground maps form the initial point of reference. They represent something that exists, that is physical, yet at the same time is not immediately visible to the eye, leaving room for our imagination. To modify and alter, with the aim of both acknowledging and reinventing geographical space. Tracing ever-evolving paths, so that the very idea of a map becomes mental, becomes a strategy for what can be constantly reconstructed and modified.
The representation of an altered reality: shortcuts of interconnection between space and perception.
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