The installation celebrates the cycles of life, crystallising them in the forms of clay and ceramics. The books are objects that are not read but that describe that becoming and that remaining which is the life of nature, the persistence of our continual changing and returning, as the artist herself writes. The work seems to be crossed by a light breath of wind that suggests the idea of the passing of time and the succession of the seasons, during which the petals change their apparent appearance, renewing themselves cyclically.